Rule of Three
Crossing the Tide
by Vincent J.F. Huang
We enter a flooded pavilion, the body of water partitioned by walkways. As we traverse the room, the path sags slightly under our weight, wetting our soles, splashing our ankles. As more people cross, we sink further down, and the puddles grow larger. This gradual submersion reflects the effects of climate change on Tuvalu, a low-lying island nation fifteen feet above sea level. Presented at the Venice Art Biennale, the work evokes the Floating City’s bridges and canals, reminding visitors that the issues facing Polynesia are not such a distant concern. Crossing the Tide calls for global responsibility by stressing the impact of every human footprint.
Words by John Wadsworth
Further Than the Furthest Thing
by Zinnie Harris
Further Than the Furthest Thing, Harris’s second play, centres on Tristan da Cunha and its close-knit community. Isolated from the modern world by a vast expanse of ocean, the inhabitants are suspicious of all that lies beyond their shores. This dormant paranoia bubbles to the surface when an islander returns from his travels abroad, together with an industrialist outsider. With the new visitor comes disruption and the encroachment of urban life. As tension erupts, even the land of Tristan protests. Its small population is evacuated to the remote metropolis of Southampton, with the English city leaving the group lonelier than ever before.
Words by Katherine Fieldgate
developed by Nakheel
Four kilometres from the shore of Dubai, situated in the waters of the Persian Gulf, a group of manmade mounds is carefully arranged. This is The World, an incomplete property venture comprising three hundred landmasses, formed primarily from dredged coastal sand. Each area is named after a continent, country, or city. Investors are invited to indulge in an expensive game of make-believe, to stake their claim for a slab of this microcosmic Earth. Yet, this is not a to-scale reproduction. It is a vision of luxury, in which resorts and restaurants dominate, and the ice of Greenland is exchanged for scores of residential homes.
Words by John Wadsworth
More to discover
Further Than the Furthest Thing: Tanya Wilson interviewed Zinnie Harris for The Guardian in 2000.
The World: You can watch a promotional video for The World here.
Question of the day
'The round table is the eye', a poem by Sissal Kampmann, translated from the Faroese by Randi Ward. The narrator shrinks amid the contents of a messy kitchen, the graveyard of a lost domestic warmth. (→)
– Elizabeth Brown, Silent Frame's Deputy Editor (via Facebook →)
Perpetual Repercussion, an artwork by Dyveke Sanne that twinkles on the roof of the Svalbard Global Seed Vault. (→)
– John Wadsworth, Silent Frame's Editor-in-Chief (via Patreon →)