Keyboard

Rule of Three

 
 

Continuum

by György Ligeti
Composition

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Repeated patterns cycle and loop, overlapping to produce a chaotic wall of motion. In its mechanic relentlessness, this movement evokes the circuitous dance of a robot, tireless and unchanging. At the same time, we hear the frantic clicking and tapping of the solo harpsichord prompted to produce these sounds. But despite the composition’s busy nature, there is a sense of stillness underlying the whirring activity. The harmony moves slowly, unwinding as if rising from the instrument. We imagine the tones drifting free to hover above the motoric commotion, like a ghost out of the machine.

Words by Lewis Coenen-Rowe


The Roots of the Moment

by Pauline Oliveros
Album

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The reedy voice of an accordion creeps into earshot, sustaining long drones and subtly shifting harmonies. Gradually, the notes splinter into shards, exuding a brightness that almost brings us to flinch away. In this live album, Pauline Oliveros’ solo accordion is augmented with an array of electronics, with acoustic and artificial sources fusing to create the impression of a single super-instrument. But despite the technical remove of the work’s production, its effect is rooted in the physical immediacy of the performance. The touch of Oliveros’ cyborg hands are felt in every gesture.

Words by Lewis Coenen-Rowe


Epistory

developed by Fishing Cactus
Video game

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‘Once upon a time’, the tale begins, before the cursor backtracks to try a less clichéd opening. ‘It was the best of times, it was the worst’ – no, that would never work. Third time lucky: ‘There was a girl / And she rode on the back of a great fox.’ Child and vulpine friend wander, an origami world unfolding before them. As they patter along paper paths, a story evolves, words parallel to the edges of the trail. Perhaps the girl is leading the way; perhaps the way leads her. Trees pop up, rabbits hop by, and obstacles block the route. With no weapons to hand we must rely on our own digits, writing out spells and typing to cast.

Words by John Wadsworth


More to discover

Continuum: You can listen to the composition here.

The Roots of the Moment: You can listen to an excerpt here. Tom Service has written an introduction to Pauline Oliveros for The Guardian. Tracey McMullen has written an academic article on Oliveros and improvisation, which can be read here.

Epistory: You can watch the official release trailer here, see a playthrough of the game (by Polygon's Justin McElroy & Simone de Rochefort) here, and read Caty McCarthy's post on curing writer's block for Kill Screen.


Question of the day

Which keyboard-related artworks would you recommend?
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Litanies, a composition for organ by Jehan Alain. (→)

– John Wadsworth, Silent Frame's Editor-in-Chief (via Patreon →)


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